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Il testo racconta le implicazioni storiche e culturali dello scandalo dei falsi di Modigliani del 1984 a Livorno, in Italia, con la scoperta di sculture presumibilmente autentiche attribuite ad Amedeo Modigliani. Maurizio Calvesi riflette sulla frenesia dei media, sulle reazioni dell’opinione pubblica e sull’impatto sui critici d’arte e sugli studiosi, in particolare su Dario Durbè…
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